Film Recipes

Browse in-camera film simulation recipes

Classic Analog (X-Trans I)

Provia

by Ritchie Roesch

Highlight Tone: -2
Shadow Tone: -1
Color: -2
Noise Reduction: -2
Sharpness: 0
White Balance: Daylight/Fine
White Balance Blue: -6
White Balance Red: +1
Dynamic Range: DR400
Exposure Compensation: +1/3 to +2/3

Color Analog (X-Trans-I)

Pro Neg Std

by Ritchie Roesch

Highlight Tone: -1
Shadow Tone: +1
Color: -2
Noise Reduction: -2
Sharpness: -1
White Balance: Daylight/Fine
White Balance Blue: -4
White Balance Red: -1
Dynamic Range: DR200
Exposure Compensation: +1/3 to +2/3

Color Negative Film (X-Trans-I)

Provia

by Ritchie Roesch

Highlight Tone: +2
Shadow Tone: +2
Color: -2
Noise Reduction: -2
Sharpness: -1
White Balance: 3000K
White Balance Blue: -9
White Balance Red: +8
Dynamic Range: DR400
Exposure Compensation: 0 to +2/3

Ektachrome (X-Trans-I)

Pro Neg Std

by Ritchie Roesch

Highlight Tone: +1
Shadow Tone: +2
Color: -1
Noise Reduction: -2
Sharpness: +2
White Balance: Daylight/Fine
White Balance Blue: +3
White Balance Red: -1
Dynamic Range: DR400
Exposure Compensation: +1/3 to +2/3

Faux Classic Chrome (X-Trans-I)

Pro Neg Std

by Ritchie Roesch

Highlight Tone: +1
Shadow Tone: +1
Color: +1
Noise Reduction: -2
Sharpness: 0
White Balance: Auto
White Balance Blue: -1
White Balance Red: 0
Dynamic Range: DR200
Exposure Compensation: 0 to +1/3

Kodachrome I (X-Trans-I)

Pro Neg Std

by Ritchie Roesch

Highlight Tone: +2
Shadow Tone: -2
Color: +2
Noise Reduction: -2
Sharpness: +1
White Balance: Auto
White Balance Blue: -3
White Balance Red: 0
Dynamic Range: DR400
Exposure Compensation: -1/3 to -1

Kodachrome II (X-Trans-I)

Pro Neg Std

by Ritchie Roesch

Highlight Tone: +1
Shadow Tone: +2
Color: -2
Noise Reduction: -2
Sharpness: +2
White Balance: Auto
White Balance Blue: -2
White Balance Red: +1
Dynamic Range: DR400
Exposure Compensation: +1/3 to +2/3

Monochrome (X-Trans-I)

Monochrome

by Ritchie Roesch

Highlight Tone: +2
Shadow Tone: +2
Noise Reduction: -2
Sharpness: +1
White Balance: Incandescent
White Balance Blue: +9
White Balance Red: -5
Dynamic Range: DR200
Exposure Compensation: +1/3 to +2/3

Reminiscent Print (X-Trans-I)

Provia

by Ritchie Roesch

Highlight Tone: -2
Shadow Tone: -2
Color: +1
Noise Reduction: -2
Sharpness: -1
White Balance: Auto
White Balance Blue: -1
White Balance Red: -4
Dynamic Range: DR400
Exposure Compensation: -1/3 to +2/3

Superia Xtra 400 (X-Trans-I)

Astia

by Ritchie Roesch

Highlight Tone: -2
Shadow Tone: +1
Color: +2
Noise Reduction: -2
Sharpness: 0
White Balance: Shade
White Balance Blue: +2
White Balance Red: +2
Dynamic Range: DR200
Exposure Compensation: +2/3 to +1

Vivid Color (X-Trans-I)

Velvia

by Ritchie Roesch

Highlight Tone: +1
Shadow Tone: +2
Color: +2
Noise Reduction: -2
Sharpness: +1
White Balance: Fluorescent 1 (“Daylight Fluorescent”)
White Balance Blue: +5
White Balance Red: -5
Dynamic Range: DR200
Exposure Compensation: +1/3 to +2/3

Winter Blue (X-Trans-I)

Velvia

by Ritchie Roesch

Highlight Tone: -1
Shadow Tone: 0
Color: -2
Noise Reduction: -2
Sharpness: 0
White Balance: Daylight (“Fine”)
White Balance Blue: +2
White Balance Red: 0
Dynamic Range: DR400
Exposure Compensation: +2/3